This oral history interview is an intimate conversation between two people, both of whom have generously agreed to share this recording with Oral History Summer School, and with you. Please listen in the spirit with which this was shared.

This interview is hereby made available for research purposes only. For additional uses (radio and other media, music, internet), please inquire about permissions.

All rights are reserved by Oral History Summer School.

Researchers will understand that:

  • Oral History Summer School abides by the General Principles & Best Practices for Oral History as agreed upon by the Oral History Association (2018) and expects that use of this material will be done with respect for these professional ethics.
  • Unless verbal patterns are germane to your scholarly work, when quoting from this material researchers are encouraged to correct the grammar and make other modifications maintaining the flavor of the narrator’s speech while editing the material for the standards of print.
  • All citations must be attributed to Oral History Summer School:
    Narrator’s Name, Oral history interview, YYYY, Oral History Summer School
Library

Kymberlie Quong Charles

July 27, 2023

|

Hillsdale, NY

Song

Recorded by

Liza Yeager

This interview is available in-person only. Please get in touch if you would like to listen.
Is this your interview?
Click here to respond.
x
Summary:

This interview with Kymberlie Quong-Charles was conducted on July 27, 2023 in Hillsdale, New York, as an assignment during the Oral History Summer School intensive.Kymberlie begins the interview by describing her family’s “camp” in Maine: an A-frame house on a lake that the family visited throughout her childhood and continues to spend time at. She explains that her father built the house with attention to the natural environment, and describes the feeling of “magic” she experiences there, in close contact with nature. Kymberlie also discusses having a complicated relationship to Maine more broadly. She reflects on the assumptions that outsiders make about Maine, and focuses particularly on her experience growing up mixed-race in Augusta. Kymberlie speaks about her evolving relationship to home over time, specifically in relation to having separated parents, co-parenting her own child, considering a “polylocational” lifestyle, and her decision to return to Maine every summer. Kymberlie works as an organizer and in the interview she discusses her political development. She speaks about watching her mother create community with other Asian women in Augusta, being recruited to work at a Seeds of Peace summer camp as a teenager, and transferring to Earlham College, where she studied abroad in Palestine, including Jerusalem, the occupied West Bank, and on a kibbutz in Israel.  As a college student she also got involved with labor organizing and organizing amongst Asian-American students and women of color on campus. Kymberlie also discusses being a mother: discovering her pregnancy, her decision to keep the child, and having a natural birth at home, as well as her ongoing relationship with her child. At the end of the interview, Kymberlie describes an ongoing grieving process with a family member who is terminally ill at the time of the interview. This interview would be of interest to people interested in organizing, political development, racial politics, Maine, racial politics in Maine, mixed-race families, variable definitions of home, intergenerational political influence, youth cross-cultural dialogue, college organizing, parenting, divorce, reproductive decision-making and rights, natural birth, motherhood, definitions of family, and grief.

Themes:
No items found.
Interviewer Bio:
Liza Yeager

Liza Yeager is a freelance audio artist and documentarian who grew up in Oregon. She has worked on many longform radio stories and projects with a particular focus on history and historiography, queerness, and the environment.

Additional Info:
Interview language(s):
English
,
Audio quality:
High

Audio Quality Scale

Low - There is some background noise and the narrator is hard to hear.

Medium - There is background noise, but the narrator is audible.

High - There is little background noise and the narrator is audible.

Permissions: 

This interview is hereby made available for research purposes only. For additional uses (radio and other media, music, internet), please click here to inquire about permissions.

Part of this interview may be played in a radio broadcast or podcast.

Oral history is an iterative process. In keeping with oral history values of anti-fixity, interviewees will have an opportunity to add, annotate and reflect upon their lives and interviews in perpetuity. Talking back to the archive is a form of “shared authority.”

Is this your interview?
Click here
to leave updates or reflections on your life, your interview or your listening experience.
Thank you! Your submission has been received!
Oops! Something went wrong while submitting the form.