This oral history interview is an intimate conversation between two people, both of whom have generously agreed to share this recording with Oral History Summer School, and with you. Please listen in the spirit with which this was shared.
This interview is hereby made available for research purposes only. For additional uses (radio and other media, music, internet), please inquire about permissions.
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This interview with Arone Dyer was conducted at her home in Greenport, New York, on June 23, 2024. Arone is a 44-year-old musician, composer, and landscaper who’s lived in theHudson area since 2011. During the interview, she talks about starting her musical career in Minneapolis in the late ‘90s, and the jobs that sustained her when she moved to New York City at 19 — from arranging flowers to becoming a competitive bike messenger and mechanic. She also describes her varied musical projects, from touring as half of the duo Buke and Gase to developing Dronechoir, a choral performance experiment connecting female vocalists in Hudson. She talks about the collaboration that brought her to Hudson, the differences between this region and the Minnesota farming town where she grew up, and what community has meant to her here —including her experience running a youth bike repair co-op, her interest in local politics, and what it means to be a good neighbor. She also reflects on the ways the city has changed over the years with the arrival of more transplants from New York City. She considers her goals, relationship to family and religion, and the ways that money structures a creative life. And she talks about her garden, and her bright yellow house.
Annie Rosenthal is a 26-year-old writer, radio producer, and journalist, and a student at OralHistory Summer School. Originally from Washington, DC, she now lives in theWest Texas desert, where she spent the last few years covering the region’s border communities for Marfa Public Radio. She’s interested in how creative forms of collaborative storytelling can help people move through hard things, and she’s very slowly learning to play the bass.
Oral history is an iterative process. In keeping with oral history values of anti-fixity, interviewees will have an opportunity to add, annotate and reflect upon their lives and interviews in perpetuity. Talking back to the archive is a form of “shared authority.”