This oral history interview is an intimate conversation between two people, both of whom have generously agreed to share this recording with Oral History Summer School, and with you. Please listen in the spirit with which this was shared.
This interview is hereby made available for research purposes only. For additional uses (radio and other media, music, internet), please inquire about permissions.
All rights are reserved by Oral History Summer School.
Researchers will understand that:
Suzanne Snider (Founder/Director, Oral History Summer School and Education Narratives Project) is a writer, documentarian, and educator whose work is deeply influenced by oral history theory and practice. Her most recent projects have taken the shape of sound installation, essays, and archive design. In 2012, she founded Oral History Summer School, an interdisciplinary training program in upstate New York. She consults frequently for institutions and project teams, collaborating with organizations including the National Public Housing Museum, MoMA, Center for Reproductive Rights and the Prison Public Memory Project. As an interviewer, she has worked for Columbia University's Center for Oral History Research, New York Academy of Medicine, HBO Productions, and the Brooklyn Arts Council. You can read more about OHSS’s collaborations, here. Her own oral history projects have addressed disappearing labor forces, rehabilitative medicine, parapsychology, and feminist presses (supported by the Radcliffe Institute/Schlesinger Library Oral History Grant). Her writing/audio work appear in The Guardian, The Believer, Legal Affairs, and The Washington Post, along with several anthologies and artist catalogs; she received a 2011 commission from Triple Canopy for New Media Reporting. Snider teaches at the New School, Bard’s Center for Curatorial Studies and served as a visiting lecturer at Columbia University (OHMA) in spring 2014. Prior to her work with adult learners, she taught in the New York City public school system (pre-K through 6th), and developed arts curriculum for visually impaired students at the New York Institute for Special Education. With support from the Yaddo Corporation, the MacDowell Colony and the UCross Foundation Center, she is completing her first book, The Revival. She received an MFA in Writing from Columbia University and dual BA in Literature and Dance from Wesleyan University. She is currently studying Integrative Somatic Trauma Therapy.
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